We are excited to welcome Zoie Reamer to the Residency this July. During her time at the residency, Zoie will be working on oil paintings with corresponding projections, hand dyed soft sculpture, painted lamp pendants, as well as interactive sound installation.
Artist Statement:
Welcome Dawn Roe to Lamplight’s Residency at 821!
Extending from the collective reading performed as a closing event for Dawn Roe’s exhibition, Super | Natural, at Tracey Morgan Gallery earlier this year, the artist’s residency at Lamplight will serve as an incubator for the newly forming body, Hydrofeminist Action Generator (H.A.G.). Deeply informed by the sharing communities generated through the ongoing work of environmental humanities researcher, Dr. Astrida Neimanis, projects and events will engage with Astrida’s description of hydrofeminism as “an action concept” that begins with “[u]nderstanding our own human bodies as bodies of water, [inviting] us into a different kind of relation to other bodies of water, and a feminism of relation. Hydrofeminism asks: if we are all bodies of water, what does this connect us to? What can we give, and what do we owe?”
The public programs associated with the artist’s residency will engage these questions through a site-responsive community workshop held along the waters flowing through Rhododendron Creek in West Asheville Park scheduled for May 29th. Part of an ongoing series of Marking Time With(in) the Water workshops, this action will offer space for neighbors to come into relation with their freshwater spaces, combining careful observation with a collective artmaking process recording imprints of land, water, and human interactions over prolonged moments in time. Copies of each print will become part of a collective archive of our “hydrocommons” – a term used by Astrida Neimanis to describe the space where embodied human-water relations occur. A closing event on June 6th will bring together families, friends, and neighbors to celebrate, think, and share together while viewing, reading, and listening to our watery selves and fellow more-than-human beings. A library, screening environment, print sharing corner, and conversation hub will be available to gather within throughout the day.
Hydrofeminist Action Generator (H.A.G.) reclaims the hag as her revered self, honored as a conduit between the powers held within the murky darkness of turbulent forms, and the regenerative powers of gathering, rest, and resistance.
Save the Date for Dawn’s community events:
Friday, May 29th | 1-4PM
Marking Time With(in) the Water workshop
Rhododendron Creek in West Asheville Park
Saturday, June 6th | 1-7PM
Closing Event
at Lamplight’s Residency at 821
Artist Statement:
Using reproductive methods as observational tools, I respond to sites and situations where human and more-than-human lives entangle, often drawing on grief and despair as generative modes of being. Energized by continuous, impossible attempts to form a collective archive of earth, plant, and animal forms living and dying together across both great and small distances, I visualize the cohabitation of species as a collective endeavor through re-presentation(s) of both routine and remarkable encounters. With attention focused toward magical transformations occurring along and within the liminal space(s) of water-based worlds permanently re-shaped by extractive actions and colonial forms of “species management,” I push against hierarchical perspectives of the human body as dominant by seeking ways to serve as a conduit for the many Beings gestating within and along these waters as they endure ongoing disruptions, forever altering how these spaces have and continue to function as home, and community. My process incorporates analog and digital imaging, film, and video alongside camera-less photographic methods relying on direct contact with physical materials, allowing for prolonged engagement. These observations become re-presentations, transformed and replicated as sequential and composite screen and print-based forms, stressing the fragmentary nature of perceptual response. As we struggle to orient ourselves within a shared global space that is rapidly transforming, I find uneasy comfort in visualizing our lived and perceived world as one of repeated disappearance and return.

Join artist in residence Dawn Roe for a closing event:
Saturday, June 6th | 1-7PM
Closing Event
at Lamplight’s Residency at 821 Haywood Road
This event will bring together families, friends, and neighbors to celebrate, think, and share together while viewing, reading, and listening to our watery selves and fellow more-than-human beings. This community programing continues conversations inspired by environmental humanities researcher Dr. Astrida Neimanis and hydrofeminism’s call to ask: if we are all bodies of water, what does this connect us to? What can we give, and what do we owe?
Participants who take Dawn’s Workshop on May 19th may pick up their washed and dried prints during this closing event. Copies of all prints will contribute to a collective archive of our “hydrocommons” — the space where embodied human-water relations occur.
A library, screening environment, print sharing corner, and conversation hub will be available to gather within throughout the event: held at Lamplight’s Residency at 821 Haywood Road in West Asheville.
A Call to Prayer is an immersive, participatory performance project that brings together embodied ritual and collaborative installation.
Join our current artist-in-residence at Lamplight’s Residency at 821 Haywood, Zaquia Salinas, alongside collaborator Guillermo Castro at Lamplight to contribute an offering to the altar and experience a “1-to-1” performance.
30-minute individual time slots are available from
2-8pm on May 4 & 5
and
12-6pm on May 6, 8 & 9
+ Join Zaquia on Sunday, May 10, from 6-9 PM for the culminating event for A Call to Prayer. This is time to gather in the space and explore the installation, what the community has contributed to the altar, and engage in a guided embodied meditation accessible for all.
For 1-1 Appointments:
SIGN UP HERE
How to Participate
1) Sign up for a time slot
Reserve a 30-minute window for yourself or your group (we can accommodate up to 4 people in the space should you like to experience this with your people).
2) Arrive at Lamplight
Please arrive 5 minutes before your scheduled time to help us keep things on schedule.
3) Bring an offering (optional but encouraged)
You are invited to bring a small object, material, artifact, or gesture as an offering to the altar. This can be something personal, symbolic, found, or made; an expression of memory, intention, grief, devotion, or transformation. We will have some materials available for you to contribute a written prayer, spell or incantation to the altar on site.
4) Enter the experience
Your offering to the altar will be translated into a moving meditation, shared with you directly during our time together. Come with an open heartmind, ready for connection, attention, and exchange.
Additional Notes
- No prior performance experience is needed (we’ll do the dancing).
- The space will be held with care; you are welcome to engage at your own pace and comfort level.
- Late arrivals may result in a shortened experience out of respect for others’ time.
We are excited to welcome Zaquia Luisa Salinas to Lamplight’s Residency at 821 this spring! Throughout her time at the residency she will be working on A Call to Prayer: an immersive, participatory performance project that blends embodied ritual with collaborative installation.
Zaquia will develop installation elements – integrating objects, projections, and spatial design – while inviting community members to participate directly. Visitors are encouraged to contribute offerings to the space and engage in intimate, one-to-one (or small group) performance appointments with the artist.
Artist Statement:
Zaquia Salinas is a dance artist invested in movement-art as an act of reclamation and world-building. She is committed to creating work that forges meaningful connection through personal and collective storytelling. Conceptually rooted in biomythography, her work (re)builds narratives that braid the personal with the communal, expanding how story can be held, alchemized, and shared. Her interdisciplinary constellations operate as portals for communion with body, earth, ancestor, and spirit. At the heart of her work is the desire to create rituals and spaces that help us understand ourselves and each other more deeply.
Join artist in residence Dawn Roe for a community workshop:
Friday, May 29th | 1-4PM
Marking Time With(in) the Water workshop
Rhododendron Creek in West Asheville Park
The public programs associated with the artist’s residency will engage these questions through a site-responsive community workshop held along the waters flowing through Rhododendron Creek in West Asheville Park scheduled for May 29th from 1 to 4 p.m. Part of an ongoing series of Marking Time With(in) the Water workshops, this action will offer space for neighbors to come into relation with their freshwater spaces, combining careful observation with a collective artmaking process recording imprints of land, water, and human interactions over prolonged moments in time. Participants will meet in the reserved picnic shelter in the park.
Deeply informed by the sharing communities generated through the ongoing work of environmental humanities researcher, Dr. Astrida Neimanis, projects and events will engage with Astrida’s description of hydrofeminism as “an action concept” that begins with “[u]nderstanding our own human bodies as bodies of water, [inviting] us into a different kind of relation to other bodies of water, and a feminism of relation. Hydrofeminism asks: if we are all bodies of water, what does this connect us to? What can we give, and what do we owe?”
Copies of each print will become part of a collective archive of our “hydrocommons” – a term used by Astrida Neimanis to describe the space where embodied human-water relations occur. Workshops participants can pick up washed and dried prints at the closing event on June 6th at Lamplight between 1 and 7 p.m.
We are excited to welcome Nate Northrup back into the residency this spring! During his time here this April, Nate will be creating a site specific body of work that includes interactive sculptural installations, a projection loop, sound, and temporary renderings.
Friday, April 24th from 5-9PM
Saturday, April 25th from 5-9PM
BOUND: AN IMMERSIVE FLORAL ART INSTALLATION & AN EVENING EXPERIENCE OF THE SENSES
from Current Resident Allyson Seifert
BOUND IS A POP UP ART EXHIBITION, OPEN TO THE PUBLIC, SATURDAY MARCH 28 FROM 7PM UNTIL LATE. BOUND WILL IMMERSE YOU INTO NEW SENSES. TASTE, TOUCH, SMELL, LISTEN. FEATURED ARTIST AND OWNER OF LOCAL CAFE AND FLORAL DESIGN STUDIO, ALLYSON SEIFERT, TAKES YOU INTO A NEW PLACE EXPLORING THE DICHOTOMY OF INDUSTRIAL METALS AND FABRICS BOUND TO FLORALS AND FOLIAGE.
BITES BY CHARIS GODDARD
WINE BY ETHAN RISINGER
MUSIC SET BY DJ BLOOD CHAMBER
PAY WHAT YOU WISH $15 – $30 SUGGESTED DONATION
We are happy to welcome Emma Ensley to the residency this March! Emma published her debut short story collection in 2025, and during her time at the residency she will be working on a surreal dark comedy novel that follows a student named Fern through her first year of college.
Fern does two things her first week of college: accidentally enrolls in a seminar on Dante’s Inferno and starts taking birth control pills. As campus life grows increasingly disorienting, she clings to her one source of stability–her former therapist, a woman in her early twenties who lacks boundaries and answers Fern’s texts at all hours. The novel is structured around Dante’s nine circles of hell, with the therapist serving as a Virgil figure, guiding (and misguiding) Fern deeper into each circle—lust, gluttony, wrath, and beyond.
Save the Date for Emma’s community event
Held on the evening of Thursday, March 19th
Join Emma for a reading centered around the nine circles of hell. Nine readers will each be assigned one of Dante’s circles as a theme and share a piece that responds to it. Emma will read from her novel in progress, and other readers will pull from a variety of sources and genres.
Artist Statement:
My work is rooted in the two places I grew up: North Georgia and on the internet. Both taught me about performance, about the gap between who we are and who we pretend to be, and about the ways we seek connection and find community. I’m drawn to the weirdness of coming-of-age. Not the grand moments, but the small, humiliating, hypnotic ones. My debut short story collection, The Computer Room, explored this through message boards, dive bars, roadside attractions, and fan fiction forums. I’m excited to carry these same obsessions into a novel, where the performance can unravel more slowly.
