During her time in the residency, Elizabeth will complete a series of 16×20 framed fabric collages and develop “Sunday Dinner at Grandma’s House”—a new body of work honoring the kitchen table as sacred space where Black women hold wisdom, stories, nourishment, and intergenerational presence. Working across handmade collage, fabric, embroidery, and found materials, each piece interrogates memory, legacy, and the quiet power of family ritual.

I create as mixed media artist working in collage, textiles, and found materials. My practice centers Black interior life, memory, and generational inheritance through layered narratives. At Lamplight, I will complete intimate-scale framed fabric collages and develop a new body of work exploring the sacred space of family gathering.

 

Elizabeth’s Community events:
Elizabeth will work in the studio throughout her September residency, inviting the community to witness her creative process in real time. Visitors can drop by to see work in progress, ask questions, and experience the studio as a living workspace. No performance or instruction-just authentic creative work on view. This honors the tradition of artists sharing their practice directly with community.

Every Saturday in September, 11 AM – 3 PM

 


Artist Statement:

Through collage and mixed media, I examine the intimate spaces where Black people gather and decide what to hold—the kitchen table, the quiet moment between generations where wisdom moves forward. These are where survival becomes strategy. Where memory becomes legacy. My practice honors Black interior life: how we love, teach, protect, and imagine futures. I layer fabric, photographs, found text, and stitched gesture to hold contradiction—what was inherited and what we reject, what we survive and what we thrive in. I am interested in long-game thinking. What does it mean to make art that honors both the immediate and the ancestral? My work asks this through lived experience—faith, memory, family, the small rituals that hold us. I work intuitively and deliberately at once. Contradiction is not a problem to solve—it is the landscape. Each piece invites you to recognize that Black interior life is not small. It is everything.

Headshot Image by: Amos Moses
During their residency, ankita will be working on “Human, Vermin” – a 48-hour long live-and-livestreamed, interactive, solo endurance performance that investigates surveillance, mistreatment, and interspecies relationships along the human/animal divide. As human, animal, and environmental rights are systematically dismantled, they ask “How are humans treated “like animals?How are the politics of disgust mapped on to human and animals alike?” “What does it mean to be a human that’s considered a pest?”
This dance-theater theater experiment uses immersive world-building design, audience interaction, maskwork, and animalistic improvisations to tell a satirical pseudoscience narrative about the evolution of humanity. During the residency, ankita and their collaborator, Soren Kodak, will be setting the space up like an indoor terrarium and creating a list of 48 hour-long improvisational scores to follow, during which they evolve from animal to human and back again.
In-person audiences will be invited into the space to observe and interact with ankita’s animal body according to set tasks, if they choose. There will also be surrounding visual and informational pieces about “Human, Vermin” and its concepts in the space. The full performance will also be available via livestream (sign up here!).

Artist Statement:

ankita is a Brooklyn-based experimental choreographer and writer invested in storytelling where content dictates genre and betrays expectations. They create to think critically, unpacking systems and symptoms of power from a queer, punk solidarity-based lens that rehearses freedom in the body and mind. In aesthetic, their performances are grungy, cheeky, character-based works of primal spirit, with movement practices rooted in Contemporary Dance, Dance-Theater, and forms from both the South Asian and the African diaspora. ankita enjoys intense physical transformation, scintillating humor, and getting audience members to laugh or cry (sometimes both!).

ankita’s Community Events:

“Human, Vermin”
48-hour-long research performance:
Thursday, Aug 27th, 11AM-9PM

Friday, August 29th, 11AM-7PM

Sign up for the livestream

Artist Talkback with ankita sharma post “Human, Vermin”:
Friday, August 28th, 7PM

“March of Progress” Movement Workshop
Saturday, August 29th, 1-4PM
Sign up: spots are limited!

Welcome J Seger and Nathanael Roney of Age Cowboy to Lamplight’s Residency at 821! During their residency J and Nathanael will build, install and present a baseball museum-like exhibition. The production aims to study realities around art show, historical education, sports entertainment, and artifact.In the final weekend of their residency, the museum installation will open to the public, and will usher visitors through an orchestrated and produced setting that blends atmospheres of art shows, museums, and baseball parks. Extended hours will allow visitors to continue viewing the works in a museum setting.

Save the Date for: 

Baseball Museum Opening Night | Fri Aug 21 | 6PM
Baseball Museum Extended Showing | Sat Aug 22 | 12-4PM

J Seger is the Rolling Stoner, the Sick Duck, a Marylander who began his musical odyssey in Richmond, VA, continued it in Brooklyn, NY, and lives it now in Asheville, NC. The music is wholly original while the person maintains a respect and reverence for possibility, tradition, and integrity. A writer, a player, and a singer; all genuinely being cool. Aside from music, J has created and collaborated on personal works in many mediums and forms: writing, video, print, sculpture, radio, textile, hardscape.

Nathanael Roney is primarily a visual artist, living and working in Asheville, NC since 2006. Originally schooled as a graphic designer, his frugality has expanded that tool to include original illustration, painting, printing, writing, photography, video and performance. He plays and writes music with J in The Family Swaggards, has an extensive history of exhibiting his work to the public, and writes and publishes what he refers to as “poetry” to simplify expectations and/or premises of consumption.
J Seger & Nathanael Roney present art under the name Age Cowboy.

We are excited to welcome Zoie Reamer to the Residency this July. During her time at the residency, Zoie will be working on oil paintings with corresponding projections, hand dyed soft sculpture, painted lamp pendants, as well as interactive sound installation.

Artist Statement:

Zoie Reamer is a multidisciplinary artist inspired by visual enmeshment of her inner imaginative world with reality, drawing from harmony in faces and sanctuaries in nature. She uses oil painting, illustration, soft sculpture, sound, and projections to create pieces that reflect the connections between these worlds. She often mixes technical, naturalistic rendition styles with process-based abstraction to achieve this connection..
Welcome Kaegan Wheat to Lamplight’s Residency at 812 Haywood! Keagan will work on a full-length poetry collection and engage the community in writing poetry and crafting chaplets. Aliah Lavonne Jahan-Tigh and he will host a creative writing workshop and bookmaking workshop for the Asheville community. Attendees will write their own piece, then illustrate and bind a piece at the second workshop. Learn more about their workshop here!

Artist Statement:

Keagan Wheat is a trans, Latinx, disabled poet and educator from Houston. His work appears in The Acentos Review, Variant Literature, ANMLY and more. His reviews of poetry and podcasts have been published in Shards, Cutthroat, and Spectrum South. They’re a Pushcart Prize nominee and the winner of the 2024 Unity Committee Arts and Media Award. He’s read at Brooklyn Poets Staff Picks, Houston Public Poetry, Poison Pen Reading Series, and the Houston Contemporary Arts Museum. His work has been supported by New Orleans Poetry Festival, Lamplight AVL, and others. Check out his interviews with Brooklyn Poets and Latinx Lit.

Welcome Dawn Roe to Lamplight’s Residency at 821!

Extending from the collective reading performed as a closing event for Dawn Roe’s exhibition, Super | Natural, at Tracey Morgan Gallery earlier this year, the artist’s residency at Lamplight will serve as an incubator for the newly forming body, Hydrofeminist Action Generator (H.A.G.). Deeply informed by the sharing communities generated through the ongoing work of environmental humanities researcher, Dr. Astrida Neimanis, projects and events will engage with Astrida’s description of hydrofeminism as “an action concept” that begins with “[u]nderstanding our own human bodies as bodies of water, [inviting] us into a different kind of relation to other bodies of water, and a feminism of relation. Hydrofeminism asks: if we are all bodies of water, what does this connect us to? What can we give, and what do we owe?”

The public programs associated with the artist’s residency will engage these questions through a site-responsive community workshop held along the waters flowing through Rhododendron Creek in West Asheville Park scheduled for May 29th. Part of an ongoing series of Marking Time With(in) the Water workshops, this action will offer space for neighbors to come into relation with their freshwater spaces, combining careful observation with a collective artmaking process recording imprints of land, water, and human interactions over prolonged moments in time. Copies of each print will become part of a collective archive of our “hydrocommons” – a term used by Astrida Neimanis to describe the space where embodied human-water relations occur. A closing event on June 6th will bring together families, friends, and neighbors to celebrate, think, and share together while viewing, reading, and listening to our watery selves and fellow more-than-human beings. A library, screening environment, print sharing corner, and conversation hub will be available to gather within throughout the day.

Hydrofeminist Action Generator (H.A.G.) reclaims the hag as her revered self, honored as a conduit between the powers held within the murky darkness of turbulent forms, and the regenerative powers of gathering, rest, and resistance.

Save the Date for Dawn’s community events:

Friday, May 29th | 1-4PM
Marking Time With(in) the Water workshop
Rhododendron Creek in West Asheville Park

Saturday, June 6th | 1-7PM
Closing Event
at Lamplight’s Residency at 821

Artist Statement:


Using reproductive methods as observational tools, I respond to sites and situations where human and more-than-human lives entangle, often drawing on grief and despair as generative modes of being. Energized by continuous, impossible attempts to form a collective archive of earth, plant, and animal forms living and dying together across both great and small distances, I visualize the cohabitation of species as a collective endeavor through re-presentation(s) of both routine and remarkable encounters. With attention focused toward magical transformations occurring along and within the liminal space(s) of water-based worlds permanently re-shaped by extractive actions and colonial forms of “species management,” I push against hierarchical perspectives of the human body as dominant by seeking ways to serve as a conduit for the many Beings gestating within and along these waters as they endure ongoing disruptions, forever altering how these spaces have and continue to function as home, and community. My process incorporates analog and digital imaging, film, and video alongside camera-less photographic methods relying on direct contact with physical materials, allowing for prolonged engagement. These observations become re-presentations, transformed and replicated as sequential and composite screen and print-based forms, stressing the fragmentary nature of perceptual response. As we struggle to orient ourselves within a shared global space that is rapidly transforming, I find uneasy comfort in visualizing our lived and perceived world as one of repeated disappearance and return.

A Call to Prayer is an immersive, participatory performance project that brings together embodied ritual and collaborative installation.

Join our current artist-in-residence at Lamplight’s Residency at 821 Haywood, Zaquia Salinas, alongside collaborator Guillermo Castro at Lamplight to contribute an offering to the altar and experience a “1-to-1” performance.

30-minute individual time slots are available from
2-8pm on May 4 & 5
and
12-6pm on May 6, 8 & 9

 

+ Join Zaquia on Sunday, May 10, from 6-9 PM for the culminating event for A Call to Prayer. This is time to gather in the space and explore the installation, what the community has contributed to the altar, and engage in a guided embodied meditation accessible for all.

For 1-1 Appointments:

SIGN UP HERE

How to Participate

1) Sign up for a time slot
Reserve a 30-minute window for yourself or your group (we can accommodate up to 4 people in the space should you like to experience this with your people).

2) Arrive at Lamplight
Please arrive 5 minutes before your scheduled time to help us keep things on schedule.

3) Bring an offering (optional but encouraged)
You are invited to bring a small object, material, artifact, or gesture as an offering to the altar. This can be something personal, symbolic, found, or made; an expression of memory, intention, grief, devotion, or transformation. We will have some materials available for you to contribute a written prayer, spell or incantation to the altar on site.

4) Enter the experience
Your offering to the altar will be translated into a moving meditation, shared with you directly during our time together. Come with an open heartmind, ready for connection, attention, and exchange.

Additional Notes

  • No prior performance experience is needed (we’ll do the dancing).
  • The space will be held with care; you are welcome to engage at your own pace and comfort level.
  • Late arrivals may result in a shortened experience out of respect for others’ time.

We are excited to welcome Zaquia Luisa Salinas to Lamplight’s Residency at 821 this spring! Throughout her time at the residency she will be working on A Call to Prayer: an immersive, participatory performance project that blends embodied ritual with collaborative installation.

Zaquia will develop installation elements – integrating objects, projections, and spatial design – while inviting community members to participate directly. Visitors are encouraged to contribute offerings to the space and engage in intimate, one-to-one (or small group) performance appointments with the artist.

Artist Statement:

Zaquia Salinas is a dance artist invested in movement-art as an act of reclamation and world-building. She is committed to creating work that forges meaningful connection through personal and collective storytelling. Conceptually rooted in biomythography, her work (re)builds narratives that braid the personal with the communal, expanding how story can be held, alchemized, and shared. Her interdisciplinary constellations operate as portals for communion with body, earth, ancestor, and spirit. At the heart of her work is the desire to create rituals and spaces that help us understand ourselves and each other more deeply.

Join artist in residence Dawn Roe for a community workshop:

Friday, May 29th | 1-4PM
Marking Time With(in) the Water workshop
Rhododendron Creek in West Asheville Park

The public programs associated with the artist’s residency will engage these questions through a site-responsive community workshop held along the waters flowing through Rhododendron Creek in West Asheville Park scheduled for May 29th from 1 to 4 p.m. Part of an ongoing series of Marking Time With(in) the Water workshops, this action will offer space for neighbors to come into relation with their freshwater spaces, combining careful observation with a collective artmaking process recording imprints of land, water, and human interactions over prolonged moments in time. Participants will meet in the reserved picnic shelter in the park.

Deeply informed by the sharing communities generated through the ongoing work of environmental humanities researcher, Dr. Astrida Neimanis, projects and events will engage with Astrida’s description of hydrofeminism as “an action concept” that begins with “[u]nderstanding our own human bodies as bodies of water, [inviting] us into a different kind of relation to other bodies of water, and a feminism of relation. Hydrofeminism asks: if we are all bodies of water, what does this connect us to? What can we give, and what do we owe?”

Copies of each print will become part of a collective archive of our “hydrocommons” – a term used by Astrida Neimanis to describe the space where embodied human-water relations occur. Workshops participants can pick up washed and dried prints at the closing event on June 6th at Lamplight between 1 and 7 p.m.

We are excited to welcome Nate Northrup back into the residency this spring! During his time here this April, Nate will be creating a site specific body of work that includes interactive sculptural installations, a projection loop, sound, and temporary renderings.

Artist Statement:
“We Are Were” is a glitch where the present fails to overwrite the past and instead runs alongside it. Objects appear not as stable forms but as residues, as if they’ve already happened and are still happening, evidence of events that won’t resolve, identity loops back on itself instead of progressing forward becoming a kind of temporal artifact, still forming, but only out of what it has already been.
Nate will host Open Studio hours 
Friday, April 24th from 5-9PM
Saturday, April 25th from 5-9PM

Join Our Newsletter

"*" indicates required fields

This field is for validation purposes and should be left unchanged.
LOG IN © 2023 Lamplight AVL // Made With Garnet