During their residency, ankita will be working on “Human, Vermin” – a 48-hour long live-and-livestreamed, interactive, solo endurance performance that investigates surveillance, mistreatment, and interspecies relationships along the human/animal divide. As human, animal, and environmental rights are systematically dismantled, they ask “How are humans treated “like animals?How are the politics of disgust mapped on to human and animals alike?” “What does it mean to be a human that’s considered a pest?”
This dance-theater theater experiment uses immersive world-building design, audience interaction, maskwork, and animalistic improvisations to tell a satirical pseudoscience narrative about the evolution of humanity. During the residency, ankita and their collaborator, Soren Kodak, will be setting the space up like an indoor terrarium and creating a list of 48 hour-long improvisational scores to follow, during which they evolve from animal to human and back again.
In-person audiences will be invited into the space to observe and interact with ankita’s animal body according to set tasks, if they choose. There will also be surrounding visual and informational pieces about “Human, Vermin” and its concepts in the space. The full performance will also be available via livestream (sign up here!).

Artist Statement:

ankita is a Brooklyn-based experimental choreographer and writer invested in storytelling where content dictates genre and betrays expectations. They create to think critically, unpacking systems and symptoms of power from a queer, punk solidarity-based lens that rehearses freedom in the body and mind. In aesthetic, their performances are grungy, cheeky, character-based works of primal spirit, with movement practices rooted in Contemporary Dance, Dance-Theater, and forms from both the South Asian and the African diaspora. ankita enjoys intense physical transformation, scintillating humor, and getting audience members to laugh or cry (sometimes both!).

ankita’s Community Events:

“Human, Vermin”
48-hour-long research performance:
Thursday, Aug 27th, 11AM-9PM

Friday, August 29th, 11AM-7PM

Sign up for the livestream

Artist Talkback with ankita sharma post “Human, Vermin”:
Friday, August 28th, 7PM

“March of Progress” Movement Workshop
Saturday, August 29th, 1-4PM
Sign up: spots are limited!

Welcome J Seger and Nathanael Roney of Age Cowboy to Lamplight’s Residency at 821! During their residency J and Nathanael will build, install and present a baseball museum-like exhibition. The production aims to study realities around art show, historical education, sports entertainment, and artifact.In the final weekend of their residency, the museum installation will open to the public, and will usher visitors through an orchestrated and produced setting that blends atmospheres of art shows, museums, and baseball parks. Extended hours will allow visitors to continue viewing the works in a museum setting.

Save the Date for: 

Baseball Museum Opening Night | Fri Aug 21 | 6PM
Baseball Museum Extended Showing | Sat Aug 22 | 12-4PM

J Seger is the Rolling Stoner, the Sick Duck, a Marylander who began his musical odyssey in Richmond, VA, continued it in Brooklyn, NY, and lives it now in Asheville, NC. The music is wholly original while the person maintains a respect and reverence for possibility, tradition, and integrity. A writer, a player, and a singer; all genuinely being cool. Aside from music, J has created and collaborated on personal works in many mediums and forms: writing, video, print, sculpture, radio, textile, hardscape.

Nathanael Roney is primarily a visual artist, living and working in Asheville, NC since 2006. Originally schooled as a graphic designer, his frugality has expanded that tool to include original illustration, painting, printing, writing, photography, video and performance. He plays and writes music with J in The Family Swaggards, has an extensive history of exhibiting his work to the public, and writes and publishes what he refers to as “poetry” to simplify expectations and/or premises of consumption.
J Seger & Nathanael Roney present art under the name Age Cowboy.

We are excited to welcome Zoie Reamer to the Residency this July. During her time at the residency, Zoie will be working on oil paintings with corresponding projections, hand dyed soft sculpture, painted lamp pendants, as well as interactive sound installation.

Artist Statement:

Zoie Reamer is a multidisciplinary artist inspired by visual enmeshment of her inner imaginative world with reality, drawing from harmony in faces and sanctuaries in nature. She uses oil painting, illustration, soft sculpture, sound, and projections to create pieces that reflect the connections between these worlds. She often mixes technical, naturalistic rendition styles with process-based abstraction to achieve this connection..
Welcome Kaegan Wheat to Lamplight’s Residency at 812 Haywood! Keagan will work on a full-length poetry collection and engage the community in writing poetry and crafting chaplets. Aliah Lavonne Jahan-Tigh and he will host a creative writing workshop and bookmaking workshop for the Asheville community. Attendees will write their own piece, then illustrate and bind a piece at the second workshop. Learn more about their workshop here!

Artist Statement:

Keagan Wheat is a trans, Latinx, disabled poet and educator from Houston. His work appears in The Acentos Review, Variant Literature, ANMLY and more. His reviews of poetry and podcasts have been published in Shards, Cutthroat, and Spectrum South. They’re a Pushcart Prize nominee and the winner of the 2024 Unity Committee Arts and Media Award. He’s read at Brooklyn Poets Staff Picks, Houston Public Poetry, Poison Pen Reading Series, and the Houston Contemporary Arts Museum. His work has been supported by New Orleans Poetry Festival, Lamplight AVL, and others. Check out his interviews with Brooklyn Poets and Latinx Lit.

Welcome Dawn Roe to Lamplight’s Residency at 821!

Extending from the collective reading performed as a closing event for Dawn Roe’s exhibition, Super | Natural, at Tracey Morgan Gallery earlier this year, the artist’s residency at Lamplight will serve as an incubator for the newly forming body, Hydrofeminist Action Generator (H.A.G.). Deeply informed by the sharing communities generated through the ongoing work of environmental humanities researcher, Dr. Astrida Neimanis, projects and events will engage with Astrida’s description of hydrofeminism as “an action concept” that begins with “[u]nderstanding our own human bodies as bodies of water, [inviting] us into a different kind of relation to other bodies of water, and a feminism of relation. Hydrofeminism asks: if we are all bodies of water, what does this connect us to? What can we give, and what do we owe?”

The public programs associated with the artist’s residency will engage these questions through a site-responsive community workshop held along the waters flowing through Rhododendron Creek in West Asheville Park scheduled for May 29th. Part of an ongoing series of Marking Time With(in) the Water workshops, this action will offer space for neighbors to come into relation with their freshwater spaces, combining careful observation with a collective artmaking process recording imprints of land, water, and human interactions over prolonged moments in time. Copies of each print will become part of a collective archive of our “hydrocommons” – a term used by Astrida Neimanis to describe the space where embodied human-water relations occur. A closing event on June 6th will bring together families, friends, and neighbors to celebrate, think, and share together while viewing, reading, and listening to our watery selves and fellow more-than-human beings. A library, screening environment, print sharing corner, and conversation hub will be available to gather within throughout the day.

Hydrofeminist Action Generator (H.A.G.) reclaims the hag as her revered self, honored as a conduit between the powers held within the murky darkness of turbulent forms, and the regenerative powers of gathering, rest, and resistance.

Save the Date for Dawn’s community events:

Friday, May 29th | 1-4PM
Marking Time With(in) the Water workshop
Rhododendron Creek in West Asheville Park

Saturday, June 6th | 1-7PM
Closing Event
at Lamplight’s Residency at 821

Artist Statement:


Using reproductive methods as observational tools, I respond to sites and situations where human and more-than-human lives entangle, often drawing on grief and despair as generative modes of being. Energized by continuous, impossible attempts to form a collective archive of earth, plant, and animal forms living and dying together across both great and small distances, I visualize the cohabitation of species as a collective endeavor through re-presentation(s) of both routine and remarkable encounters. With attention focused toward magical transformations occurring along and within the liminal space(s) of water-based worlds permanently re-shaped by extractive actions and colonial forms of “species management,” I push against hierarchical perspectives of the human body as dominant by seeking ways to serve as a conduit for the many Beings gestating within and along these waters as they endure ongoing disruptions, forever altering how these spaces have and continue to function as home, and community. My process incorporates analog and digital imaging, film, and video alongside camera-less photographic methods relying on direct contact with physical materials, allowing for prolonged engagement. These observations become re-presentations, transformed and replicated as sequential and composite screen and print-based forms, stressing the fragmentary nature of perceptual response. As we struggle to orient ourselves within a shared global space that is rapidly transforming, I find uneasy comfort in visualizing our lived and perceived world as one of repeated disappearance and return.

We are excited to welcome Zaquia Luisa Salinas to Lamplight’s Residency at 821 this spring! Throughout her time at the residency she will be working on A Call to Prayer: an immersive, participatory performance project that blends embodied ritual with collaborative installation.

Zaquia will develop installation elements – integrating objects, projections, and spatial design – while inviting community members to participate directly. Visitors are encouraged to contribute offerings to the space and engage in intimate, one-to-one (or small group) performance appointments with the artist.

Artist Statement:

Zaquia Salinas is a dance artist invested in movement-art as an act of reclamation and world-building. She is committed to creating work that forges meaningful connection through personal and collective storytelling. Conceptually rooted in biomythography, her work (re)builds narratives that braid the personal with the communal, expanding how story can be held, alchemized, and shared. Her interdisciplinary constellations operate as portals for communion with body, earth, ancestor, and spirit. At the heart of her work is the desire to create rituals and spaces that help us understand ourselves and each other more deeply.

We are excited to welcome Nate Northrup back into the residency this spring! During his time here this April, Nate will be creating a site specific body of work that includes interactive sculptural installations, a projection loop, sound, and temporary renderings.

Artist Statement:
“We Are Were” is a glitch where the present fails to overwrite the past and instead runs alongside it. Objects appear not as stable forms but as residues, as if they’ve already happened and are still happening, evidence of events that won’t resolve, identity loops back on itself instead of progressing forward becoming a kind of temporal artifact, still forming, but only out of what it has already been.
Nate will host Open Studio hours 
Friday, April 24th from 5-9PM
Saturday, April 25th from 5-9PM

BOUND: AN IMMERSIVE FLORAL ART INSTALLATION & AN EVENING EXPERIENCE OF THE SENSES
from Current Resident Allyson Seifert

BOUND IS A POP UP ART EXHIBITION, OPEN TO THE PUBLIC, SATURDAY MARCH 28 FROM 7PM UNTIL LATE. BOUND WILL IMMERSE YOU INTO NEW SENSES. TASTE, TOUCH, SMELL, LISTEN. FEATURED ARTIST AND OWNER OF LOCAL CAFE AND FLORAL DESIGN STUDIO, ALLYSON SEIFERT, TAKES YOU INTO A NEW PLACE EXPLORING THE DICHOTOMY OF INDUSTRIAL METALS AND FABRICS BOUND TO FLORALS AND FOLIAGE.

BITES BY CHARIS GODDARD

WINE BY ETHAN RISINGER

MUSIC SET BY DJ BLOOD CHAMBER

PAY WHAT YOU WISH $15 – $30 SUGGESTED DONATION

PLEASE RSVP AHEAD OF TIME

We are happy to welcome Emma Ensley to the residency this March! Emma published her debut short story collection in 2025, and during her time at the residency she will be working on a surreal dark comedy novel that follows a student named Fern through her first year of college.

Fern does two things her first week of college: accidentally enrolls in a seminar on Dante’s Inferno and starts taking birth control pills. As campus life grows increasingly disorienting, she clings to her one source of stability–her former therapist, a woman in her early twenties who lacks boundaries and answers Fern’s texts at all hours. The novel is structured around Dante’s nine circles of hell, with the therapist serving as a Virgil figure, guiding (and misguiding) Fern deeper into each circle—lust, gluttony, wrath, and beyond.

 

Save the Date for Emma’s community event
Held on the evening of Thursday, March 19th

Join Emma for a reading centered around the nine circles of hell. Nine readers will each be assigned one of Dante’s circles as a theme and share a piece that responds to it. Emma will read from her novel in progress, and other readers will  pull from a variety of sources and genres.

 

Artist Statement:
My work is rooted in the two places I grew up: North Georgia and on the internet. Both taught me about performance, about the gap between who we are and who we pretend to be, and about the ways we seek connection and find community. I’m drawn to the weirdness of coming-of-age. Not the grand moments, but the small, humiliating, hypnotic ones. My debut short story collection, The Computer Room, explored this through message boards, dive bars, roadside attractions, and fan fiction forums. I’m excited to carry these same obsessions into a novel, where the performance can unravel more slowly.

We are excited to welcome Phantom Lamp Theatre Company to the Residency.

Phantom Lamp Theatre Company is a bare bones theatre company committed to developing original work, creative collaboration, and taking risks. They strive to bring unique, new shows to their audiences, and love to push boundaries and try new things with each show. They focus heavily on development and on collaboration throughout their process.

They will be putting on a play in the space:
Close Quarters
Get your tickets here!

Feb 20 @ 7:30
Feb 21 @ 2PM, 7:30 PM
Feb 22 @ 2PM

Feb 26 @ 7:30 PM
Feb 27 @ 7:30 PM
Feb 28 @ 2PM, 7:30 PM
March 1 @ 2PM

 

Close Quarters, is being developed with this residency space in mind. Picture, if you will, a perfectly normal apartment: warm lighting, a loving couple, and a ghost who insists this was their home first and is absolutely fine about it. Truly. Fine! Except not really…Our ghost is aggrieved, indignant, and like all ghosts, has some unfinished business. According to them, the couple is invasive, disrespectful, and possibly evil. According to everyone else, the ghost may be experiencing some misdirected anger.

You, the audience, are the other spirits haunting the space, watching events unfold from within the cozy apartment. You’ll observe the couple as they attempt to navigate their relationship during an escalating supernatural turf war. You’ll also witness the ghost’s version of events, as their assigned psychopomp gently (and repeatedly) suggests that murder-by-haunting is not a healthy coping mechanism.
Will you support the ghost’s campaign to reclaim the apartment from the living menace? Will you side with the psychopomp and help guide this stubborn spirit toward the light? Or will you simply enjoy the chaos as exorcisms loom and everyone involved questions their life choices, living or otherwise?
This production includes moments of audience interaction, though ample space will be provided for those who prefer to haunt quietly and judge from afar.

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