During her residency, Nava will be working on a large-scale immersive environment constructed of the delicate details associated with traditional folk handcrafts. Using needlework in expressive, chaotic and destructive ways has long been a signature in her work and with this project her approach is to challenge the viewer to find beauty in the breakdown, seeing tangles and snarls as intricate lace, and allowing the seductive and satisfying qualities of embroidery to be used in service of memorializing stains and other random marks.
Artist statement:
My work combines painting and sculpture with traditional crafts, primarily those considered “women’s work”. I have used stitching in my best-known series and examine acknowledging chaotic experience within these hybrids of painting and needlework: embroideries are hand-stitched over splatters and drips on canvas; structural lacework plugs gaps and rips; tablecloths and blankets are posited as sculptures and damage is repaired by sewing around spills or holes and discarded snarls and tangles of thread, along with fabric scraps, are given new life as improbably wild, yet delicate lace forms and irregular patterns. Throughout my work I play with scrambling dichotomies like craft/art and with allowing traditionally meticulous media to be used in roughly expressionistic and improvisational ways that suggest layered meanings and reinterpretations of experience. My overall approach is one I have termed “imperfectionism” and it engages craft tradition with questions about why we define value as being yoked to traditional techniques, virtuosic skill and perfectionist labor.
Bio:
Nava Lubelski was born and raised in New York City and lives currently in Asheville, NC. Lubelski’s work has been exhibited widely at museums such as the Queens Museum of Art (permanent collection); the Museum of Arts & Design in NYC (permanent collection); the San Diego Museum of Art; the National Museum of Decorative Arts and Design in Oslo; the Mint Museum in Charlotte, NC and the Asheville Art Museum. She has shown solo or semi-solo with Tracey Morgan Gallery in Asheville, LMAKprojects in New York, OH&T Gallery in Boston, P|M Gallery in Toronto, Luis de Jesus in Los Angeles and Margaret Thatcher Projects in NYC. Additional exhibitions have included numerous university, commercial galleries and small museums throughout the US as well as in Berlin, Stockholm and Sydney. Lubelski’s work has been reviewed in The New York Times, LA Times, Toronto Globe and Mail, Art Forum, ArtNews and The Village Voice, among many others, was the subject of a feature in American Craft, and has been included in many international contemporary art books, such as Radical Decadence (New York: Bloomsbury Academic, 2017) and De Fil en Aiguille (Paris: Pyramyd Editions, 2018). She has received grants from The Pollock-Krasner Foundation, the New York Foundation for the Arts, the Center for Crafts and the North Carolina Arts Council. Lubelski received a degree in Russian Literature & History from Wesleyan University and spent a year as a student in Moscow, Russia.